Coal For Christmas

[Another year. Another Christmas. I republish this every holiday season with a tweak here and there. This story is true and I am passing it down to new readers and my two children and my grandson. Every story from our own lives or the lives of those we once loved…every story is worth telling. There should never be a ‘last story’. They should live forever.

I hope you enjoy it. Have a great and meaningful holiday.]

[Winter scene by Paul Egan. Watercolor]

I am a grandfather now, feeling every ache and sadness of my seventy-sixth year.  The stories that my father told me about his father have taken on new meanings.  I’m the old one now, the last of the Owego Egan family.  I am the carrier of the family history.  When a recollection of a family event comes to mind, be it a birthday party, a funeral, a wedding or a birth, I get my journal and I write with haste, in case I might forget something, get a name wrong or a date incorrect.  Or, forget the event entirely. This is especially true when the snow falls and the Christmas tree decorations are brought down from wherever my parents lived  during any particular winter.  There is a certain melancholy mood that comes with the wintertime holidays.  The sentiment of A Christmas Carol comes to mind.  It is a time to listen to the winter wind blow, put a log on the fire, pour a little more wine and to recall and celebrate the memory of those who have passed on.

It’s time for a Christmas story.  It’s time to think again about your family (and mine) and how they lived their lives so many decades ago… 

I was raised in the post-war years.  My parents were not saying anything original when they would tell me, or my brothers, that we had to be good–very good–or Santa would not leave us any brightly wrapped presents, red-ribboned and as big a box as a boy could hold.  No, Santa would not leave such a wondrous thing.  But he wasn’t so vengeful to leave nothing in our stocking.  No, he would leave a lump of coal…if you deserved nothing more.

My father grew up poor.  Not the kind of poor where he would walk barefoot through ten inches of snow to attend school or go from house to house asking for bread.  It was just the kind of poor that would keep his father only one step ahead of the rent collector.  Dad would often make a joke about poor he was as a child.

“I was so poor that I would get roller skates for Christmas but I would have to wait until the next year to get the key,” he would say with a sly smile.  It was a joke, of course–wasn’t it?

His parents provided the best they could, but, by his own admission, he was raised in the poverty that was common in rural America in the 1920s.  My grandfather and my grandmother should be telling this story.  Instead, it came to me from my own dad and it was usually told to his four sons around the time it came to bundle up and go out, find and cut a Christmas tree.  I heard this story more than once when it was cold and snowy in the 1950s.  In the years when my father was a child, the winters were probably much colder and the snow ever deeper.

It was northeastern Pennsylvania. It was coal country and my grandfather was Irish.  Two generations went down into the mines.  Down into the shaft they would go, every day before dawn, only to resurface again long after the sun had set.  On his only day off, Sunday, he would sleep the sleep of bones that were weary beyond words. 

Because of some misguided decision on his part, my grandfather was demoted from mine foreman to a more obscure job somewhere else at the pit.  Later in life, he fell on even harder times and became depressed about his inability to keep his family, two boys, Paul and Jack and two girls, Jane and Nelda comfortable and warm.  It all came crashing down, literally, when their simple farmhouse burned to the foundation.  After seeing his family safely out, the only item my grandfather could salvage was a Hoover.  My father could describe in minute detail how he stood next to his dad and watched him physically shrink, slump and then become quiet.  He rarely broke the silence after that and died in a hospital while staring mutely at a wall.

But all this happened years after that special Christmas Eve that took place in my father’s boyhood.

It was in the early 1920s.  The four children were asleep in a remote farmhouse my grandparents rented.  Sometime after midnight, my father woke up to a silence that was unusual and worrisome.  It was too quiet.  There were no thoughts of Santa Claus in my father’s mind that night—the reality of their lives erased those kinds of dreams from his childhood hopes.  There was no fireplace for Santa to slide down.

He pulled on a heavy shirt and pushed his cold feet into cold shoes that were five sizes too large, and went downstairs to the kitchen, where he knew his parents would be sitting up and keeping warm beside the coal stove.  But the room was empty and the coal fire was nearly out. My father managed to find three lumps of fist size coal hidden or forgotten behind the bin. The only light was from a single electric bulb, hanging from the ceiling on a thin chain. My father noticed the steam of his breath each time he exhaled.  He called out.

“Mom? Dad?”

He heard nothing.  Shuffling over to the door, he cracked it open to a numbing flow of frigid outside air.  In the snow there were two sets of footprints leading down the steps and then behind the house.  He draped a heavier coat over his shoulders and began to follow the tracks.  A pale moon helped light the way.  The tracks led across a small pasture and through a gate.  From there the trail went up a low hill and faded from his sight.  He followed the trail. Looking down at the footprints, he noticed that they were slowly being covered by the wind driving the snow into the impressions.  A child’s fear swept over him.  Were the young kids being abandoned?  It was not an uncommon occurrence in the pre-Depression years of rural America.

In his young and innocent mind, he prayed that the hard times hadn’t become that hard.  But deep within, he knew of his parents’ unconditional love and concern.  He knew he and his brother and sisters were cherished and loved.

He caught his fears before they had a chance to surface.  His parents were on a midnight walk, that’s all. A nearly full moon shining off the snow gave the landscape a light that helped him keep on the trail of the four footprints.

In his anxiety, my father had forgotten it was Christmas Eve.

At the top of the hill, he saw a faint light from a lantern coming from a hole near the side of the next slope.  He slowed his pace and went to the edge of the pit not knowing what he would see.  He looked down.

He knew this pit from the childhood games of summer, but it was a place to be avoided in the winter.  The walls were steep and it would be easy to slip in the snow and fall the eight feet to an icy bottom.  The children never went into that field after the hay was cut and the autumn leaves had fallen.

He dropped to his knees and peered over the edge.

At the bottom of the small hole were his parents, picking various-sized lumps of coal from a seam that was exposed on the hillside.  A bucket had nearly been filled with the chunks of black rock.  They looked up, quite surprised, and saw my father standing a few feet above them.  The two looked back at each other with a sadness that must have been heart-breaking.  They certainly didn’t want to be caught doing this in front of one of the kids, not on Christmas Eve.

Looking up at my father, my grandfather said, “Boy,” the stove is empty.  Come on down and help us get a few more lumps, will ya?”

My father was helped down and after only a few minutes his hands were black from the coal.  The bucket was filled.  They helped each other out of the pit and walked back to the house together.  My father and his father carried the bucket between them.

In a very short time the coal stove was warming up again.  My father sat up with his parents until they finished their coffee and the house was warmed a few degrees.  Dad kissed his mother and father and went upstairs to bed.  He fell asleep, he would always say, with a smile on his face.

Twenty some years after that midnight trip to the coal pit, my family moved to Owego, New York.  I was born two years later, in 1947.

. . .

When I was a young boy, my father took me aside one Christmas Eve.  I had not been a very good boy that day, and I was afraid. Neither of my parents, however, had mentioned the threat that would be used to punish a child if you were naughty and not nice.

My fear left me.  Father’s voice was warm and full of understanding.

“Pat,” he said, “If anyone tells you that you will get a lump of coal in your stocking if you’re not a good boy. Tell them: ‘I hope so,’ then wish them a very Merry Christmas.”

[Winter scene by Paul Egan. Watercolor.]

Friction Rubs Me The Wrong Way

fric-tion (frik’shen) n. 1.The rubbing of one surface or object against another. 2. Conflict, as between persons having dissimilar ideas or interests, clash. 3. Phys. A force that resists the relative motion or tendency to such motion of two bodies in contact.

[Source: Google Search]

Friction is really good for only one thing…okay, two…no three. One important use is the simple act of striking a match. This would come in handy whilst camping, setting the stage for a special dinner for that special someone, arson, lighting a fuse of an M80 on July 4th or offering a light to that special someone you are hoping will come back to your place for that special dinner. (Full Disclosure: I would never date a smoker! Lips that touch tobacco shall not touch mine.) Besides, the above would have to take place in the rain or snow outside a Smoke Free bar. There are many ways to strike a match but I will leave those details for you, dear reader, to research. I will simply say: Watch any Bogart film. Striking a match is not to be taken lightly. The person striking the match must consider the coefficient of friction (fr). That is a number that is the ratio of the resistive force of friction (Fr) divided by the normal or perpendicular force (N) pushing the objects together. This is easily shown in the equation: fr=Fr/N. If you’re having trouble following all this, I would say: Trust Me or Get The Cliffs Notes.

But I digress.

Another vital use of Friction is the idea that involves static cling. As someone who has washed more than a few loads of soiled clothes, there is nothing worse than static cling. My personal solution to this problem is bounce. The only issue I have with dryer sheets is that the sheet clings to the clothes. This can be a very serious issue if you have to get dressed quickly. It is common when that special someone has a special someone who comes home from a business trip to Toledo. That rascal dryer sheet can cling to the back of your shirt or pants. People will stare. But static cling isn’t all bad. At parties it can be great fun to rub an inflated balloon on your shirt. The static will allow the balloon to stick to you. All kinds of obscene situations can be arranged.

A third and perhaps the most important use of friction is starting a fire. Putting matches (and Bic BBQ starters) aside for the moment let’s shed some light on fires. It is a well known fact that friction produces heat and enough heat can cause a flame to appear. We’ve all heard that one can rub two sticks together and make a fire. In fact, that is usually done in movies (Westerns). But if you ever saw two boy scouts rubbing two sticks together you would observe an exercise in frustration. It isn’t that simple. However, variations on that idea do exist. Take a close look at the photo below:

[Source: Google Search]

This method actually works. Notice the smoke wafting near the guys foot. This, dear readers, is friction in action! Personally, I would not attempt this in the heart of New York City. One problem is finding appropriate sticks. That would entail visiting Central Park. And most of the sticks readily at hand there would be covered with dog germs. In extreme cases of darkness, i.e., a Blackout, one could use a flashlight. However, when the AAA batteries lose power there is always the torch. (Not a British ‘torch’…that’s a flashlight), but a real kerosene-soaked torch like the angry villagers in Frankenstein (1931 Dir. James Whale). That would, of course, bring the Law down on you. You would likely end up making candles in Dannemora.

I will follow up this enlightening blog post with something else that has annoyed me for years…Gravity.

A Brief History of Kimonos

To be fully alive is to have an aesthetic perception of life because a major part of the world’s goodness lies in its often unspeakable beauty.

~~Yukitaka Yamamoto

[An old triptych of three women wearing kimonos. Source: Google Search.]

Recently, my wife and I spent an afternoon at the Metropolitan Museum of Art (MET). She wanted to see the Tudor exhibition. I went through it quickly…I love English period decorative and portraiture art but that interest peaked with the final season of Downton Abbey. The newly restored (and painted!) ancient Greek and Egyptian statuary was where I wanted to spend more time. So we did both. We then visited the Asian art wing and saw the Kimono Style exhibition. From there we retired to the Member’s Lounge for a glass of white wine ($17.00) and a bottle of Pellegrino. While eating our Hummus and Pita plate, we discussed what we had seen and I mentioned that I would like to revisit the Kimonos once more before it closed. We finished our visit to the Hall of Medieval Art to see the Christmas Creche.

The Kimono Style (which closes in February) was more than fascinating. Within three minutes of entering the gallery, I realized that my concept of Kimonos was, to put it mildly, somewhat simplistic. The background, styles and fabrics were intricate and beautiful. So, I did what every good blogger does in such a situation…I ran straight to Google to find out as much background as I could. And, like yours truly, I fell asleep before I could get to the Edo Period. I awoke after a brief nap, shoved my laptop aside and headed for the bed. I slept the sleep of an opium smoker.

My dream came quickly. There were cherry blossoms everywhere. I was standing at the edge of a Dark Forest. “Don’t go in there”, I was told. “Those who do often end up as suicides. It was the Aokigahara, where the ghosts of Japanese mythology are said to dwell. I was not alone. Her name was Akari, which translates to ‘vermillion red’. Her beauty was heavy with gravity. A deep, peaceful and somehow alluring aura made the air around her radiate a golden light. Her face was as while as the first snowfall of winter.

She was a Geisha. But unlike western stereotypes, she was not for sale. A Geisha is not a prostitute but instead is a highly educaated woman trained in the Art of the Tea Ceremony, music, literature and calligraphy. She was one of about 1,000 active Gheishas in Japan today.

In my unenlightened world, I thought she would take care of my every need, even before I knew I had it. She took my hand and led me to a low desk. She mixed the ink and began making brush strokes. She made me try to copy her bamboo leaves. My attempts were embarrassing. She smiled and led me back to edge of the forest. I took a step toward the trees…

I woke up.

I’ve digressed.

Kimonos were first reported in the Kofun Period (300-538 CE). Over the centuries, the style has changed in many ways. The first Kimonos were of Chinese design. The trade between Japan and China brought new styles to Japan. In 718 CE, the Youo Clothing Code was enacted. This determined who was eligable to wear one, the kind of material and even the fact that the robe opening was to be Left to Right. The opposite closure was reserved for the deceased.

During the Edo Period (1603-1867), the obi was added. Length of sleeves and multiple layers were common.

By the early 20th Century, many class distincions were abololished. Western clothing came into style. But the Kimonos remained popular. After an earthquake in Kanto in 1923, a shortage of fabrics became available from unused clothing. In recent years, the Kimono has grown in popularity. Men are wearing western suits to work and changing into a Kimono robe in the evening.

[A present-day mother and child with modern Kimonos. Source: Google Search.]

What follows is a gallery of Kimono photos I took at the MET. I regret that I can not give you the style name, fabric or historical context of each one. Just marvel at the subtle striking beauty of this small sample of Kimonos:


[My personal favorite.]

A few days later we returned to the MET. I headed straight to the Kimono Style exhibit. I took a few more photos and went further into the Asian Art wing. I wanted to sit in my favorite place. It’s a replica of a Chinese (or Japanese) Courtyard. I sat and listened. In years past, there was a small trickle of water from a fountain. I loved the tranquility of the murrmering water.

It was silent in the room. For some reason the fountain had been turned off. I was disappointed. But, if nothing else, I am a resourceful guy. I pulled out my ear buds and plugged into my iPhone. I went to my Calm app and found “babbling brook”.

I think you can work out the rest of the story…

[Sources: the historical material is from Wikipedia. All the MET Kimono photos are mine. The rest are the result of Google Searching. And in the spirit of full disclosure, I did not have the aforementioned dream.]