[The Woman. Photo is mine.]
We sometimes encounter people, even strangers, who begin to interest us at first sight. Somehow suddenly, all at once, before a word has been spoken.
~~Fyodor Dostoyevsky
I’d seen the El Greco, the Tiepolo and the Manet. But, what I really needed was a bench, so hard to find sometimes in certain rooms of a certain Museum of Art on Fifth Avenue in New York City. It was three weeks and a few days since I came home from the hospital following a spinal fusion. I was taking a risk by wanting to walk through a few galleries of the newly reopened European Paintings 1300–1800. Mariam and I strolled through the rooms, I’d stand for as long as I could, then I would scout the terrain for the much-needed bench. And that’s what brought me to Gallery 636. I positioned myself opposite a large canvas. I soaked up the art. Furthermore, I did what I usually do when I’m viewing a pastoral landscape–I put myself in the scene. I would walk the leas, sit beneath the Lombardy Poplars and listen to the brooks and the birds and the laughter of distant souls. I leaned slightly (my back, remember) to look beyond a woman who has stepped in front of the painting.
Then it happened.
She turned to me, her red hat breaking the monotony of the white walls, and smiled. Not a “sorry, am I in your way?” kind of smile. It was something different. A knowing smile.
Whoa. At this point, I need to interject something in this narrative. I am seventy-six years old and walking oddly, even funny. Grey hair. Scruffy beard. I could be her grandfather. Let’s go back… There was a time, in my mind, not so long ago, when I was datable. (I’m happily married, so this is a memory of a life I lived prior to 1990).
All those years ago… I would have followed her, stood next to her, talked to her, bought her a wine, sat beside her on the steps of the MET, gone somewhere with her. In my present life, I rarely, and I stress, rarely get a compliment from a woman, a stranger.
Crossing Amsterdam Avenue sometime in the 1990s. I stood on the curb. Light changed. I walked out. A woman turned to me and said: “Excuse me, but you have beautiful hair”.
I happened to look to my left, toward the exit. She turned and smiled. Mariam saw the whole thing. “She certainly noticed you,” she said. “Guess so,” I said.
Which brings me to my whole point. Why did she smile at me? Did she recognize me? I have taught hundreds of New York City kids in my twenty years of being an educator. A former student? Perhaps. Someone I once dated? No, she was too young.
Rested. A gallery away. The El Greco. Storm Over Toledo. One of my favorites. There she was. And, and she smiled again. Again, the knowing smile. The faintest hint. The tiniest hint…of what? She saw Mariam. Maybe her smile was for her too. She saw Mariam, so it wasn’t a flirty smile. It wasn’t a come hither kind of thing. So, what was it? Why was this young, attractive woman smiling at me through several galleries of the MET, on a bustling Friday evening. I noticed that she didn’t smile at anyone else.
Only me. Or maybe that’s what I let myself believe. That a woman saw something in me that made her comfortable enough to acknowledge my existence. Many men live for that sort of attention, especially men at my age. Our faded charms are now erased by wrinkles and furrows and a stooped posture. Once we were heroes, knights, mountaineers, doctors, lawyers, walkers, poets and writers. Now, we are old men who sit and think.
Just before the final door that would be our exit, our way back to the real world of a chilly February evening and taxis, buses, and people. But, did I want to lose this moment? I snapped a quick photo of her contemplating a Vermeer-like woman, in oil, on a 20″ x 30″ canvas.
I turned and walked to the Grand Staircase. The steps that would return us to the evening.
I knew I would never see this woman again. That’s a strange thought when you look closely. You see another human. A connection of sorts is made. Then back into nothingness.
As I made my way down the stairs, I tried to find something in the encounter. Is there such a thing as meaningful coincidences, serendipity and chance encounters that aren’t really chance? Why did our paths cross? What did she have to say to me that was left unsaid?
We settled into the taxi and I braced myself for a bumpy ride through Central Park and up Broadway to our apartment. I thought about the woman, and I wanted to keep this memory (it was becoming a memory as soon as I walked down the granite steps to Fifth Avenue) fresh and in my mind. I thought about the woman.
I thought about a red hat.