Gallery 636

[The Woman. Photo is mine.]

We sometimes encounter people, even strangers, who begin to interest us at first sight. Somehow suddenly, all at once, before a word has been spoken.

~~Fyodor Dostoyevsky

I’d seen the El Greco, the Tiepolo and the Manet. But, what I really needed was a bench, so hard to find sometimes in certain rooms of a certain Museum of Art on Fifth Avenue in New York City. It was three weeks and a few days since I came home from the hospital following a spinal fusion. I was taking a risk by wanting to walk through a few galleries of the newly reopened European Paintings 1300–1800. Mariam and I strolled through the rooms, I’d stand for as long as I could, then I would scout the terrain for the much-needed bench. And that’s what brought me to Gallery 636. I positioned myself opposite a large canvas. I soaked up the art. Furthermore, I did what I usually do when I’m viewing a pastoral landscape–I put myself in the scene. I would walk the leas, sit beneath the Lombardy Poplars and listen to the brooks and the birds and the laughter of distant souls. I leaned slightly (my back, remember) to look beyond a woman who has stepped in front of the painting.

Then it happened.

She turned to me, her red hat breaking the monotony of the white walls, and smiled. Not a “sorry, am I in your way?” kind of smile. It was something different. A knowing smile.

Whoa. At this point, I need to interject something in this narrative. I am seventy-six years old and walking oddly, even funny. Grey hair. Scruffy beard. I could be her grandfather. Let’s go back… There was a time, in my mind, not so long ago, when I was datable. (I’m happily married, so this is a memory of a life I lived prior to 1990).

All those years ago… I would have followed her, stood next to her, talked to her, bought her a wine, sat beside her on the steps of the MET, gone somewhere with her. In my present life, I rarely, and I stress, rarely get a compliment from a woman, a stranger.

Crossing Amsterdam Avenue sometime in the 1990s. I stood on the curb. Light changed. I walked out. A woman turned to me and said: “Excuse me, but you have beautiful hair”.

I happened to look to my left, toward the exit. She turned and smiled. Mariam saw the whole thing. “She certainly noticed you,” she said. “Guess so,” I said.

Which brings me to my whole point. Why did she smile at me? Did she recognize me? I have taught hundreds of New York City kids in my twenty years of being an educator. A former student? Perhaps. Someone I once dated? No, she was too young.

Rested. A gallery away. The El Greco. Storm Over Toledo. One of my favorites. There she was. And, and she smiled again. Again, the knowing smile. The faintest hint. The tiniest hint…of what? She saw Mariam. Maybe her smile was for her too. She saw Mariam, so it wasn’t a flirty smile. It wasn’t a come hither kind of thing. So, what was it? Why was this young, attractive woman smiling at me through several galleries of the MET, on a bustling Friday evening. I noticed that she didn’t smile at anyone else.

Only me. Or maybe that’s what I let myself believe. That a woman saw something in me that made her comfortable enough to acknowledge my existence. Many men live for that sort of attention, especially men at my age. Our faded charms are now erased by wrinkles and furrows and a stooped posture. Once we were heroes, knights, mountaineers, doctors, lawyers, walkers, poets and writers. Now, we are old men who sit and think.

Just before the final door that would be our exit, our way back to the real world of a chilly February evening and taxis, buses, and people. But, did I want to lose this moment? I snapped a quick photo of her contemplating a Vermeer-like woman, in oil, on a 20″ x 30″ canvas.

I turned and walked to the Grand Staircase. The steps that would return us to the evening.

I knew I would never see this woman again. That’s a strange thought when you look closely. You see another human. A connection of sorts is made. Then back into nothingness.

As I made my way down the stairs, I tried to find something in the encounter. Is there such a thing as meaningful coincidences, serendipity and chance encounters that aren’t really chance? Why did our paths cross? What did she have to say to me that was left unsaid?

We settled into the taxi and I braced myself for a bumpy ride through Central Park and up Broadway to our apartment. I thought about the woman, and I wanted to keep this memory (it was becoming a memory as soon as I walked down the granite steps to Fifth Avenue) fresh and in my mind. I thought about the woman.

I thought about a red hat.

The Last Quarter Moon Gives A Pale Wintry Light/Late Night Thoughts Following Spinal Surgery

{Author’s Note: This blog post contains a photograph of an x-ray of my lower back taken six days after my spinal fusion. If the image of hardware screwing together two of my vertebra is irksome to you, my gentle readers, then feel free to search for another fine read. I have 645 in the bank. Find a good one and enjoy, just…please don’t check out A Brief History of Chains and Chain-making. It’s good, but there are other good ones out there, and far, far too many people have checked that one out. I have put this graphic at the end of the post for obvious reasons. The lead image is a generic photo taken from Google. Be warned. Enjoy.}

[A surgical room. Place: unknown. My room was more densely packed with instruments that went “Ping”. Source: Google search.]

An idea that fixed him to one spot was that life was a death dance, and that he had quickly passed through the spring and summer of his life and was halfway through the fall. He had better do a better job on the fall because everyone on earth knew what winter was like.

–Jim Harrison “Farmer”.

Do not go gentle into that good night,

Old age should burn and rave at close of day;

Rage, rage against the dying of the light.

–Dylan Thomas “Do Not Go Gentle into That Good Night”.

I removed my Bluetooth earphones and shifted my body up against the pillows that were packed hard against the headboard of our bed. No relief. The pain was white-hot. Intense. Bitter. Sharp. I reached for the small plastic amber bottle of painkillers. I shook it. Not a lot left. I put the bottle back and stared out at the patio. The half disk of the moon lit the patio with a soft light. Enough to see the BBQ, the umbrella, the covered table and the sturdy English Ivy, hanging out, wanting to grow, waiting for the spring warmth.

I had been listening to a podcast called A Voice From Darkness. The narrator, a young man on a road trip, described driving through New Mexico and suddenly finding himself in a city that appeared out of nowhere. He told of becoming hopelessly lost in a labyrinth of passages, streets, tunnels, sidewalks and dark lanes. He was filled with panic. Where did the city come from? It wasn’t Santa Fe. No indeed. And it wasn’t Albuquerque, either.

I looked out at the pale light and the patio.

I pondered what I had heard.

What the guy in the podcast (Category: Fantasy/Horror) was describing was uncannily familiar. I had the exact same experience, in many dreams, of being lost and confused in an endless series of false paths and empty halls and deserted passages. Often, it was set in New York City. I began having these dreams after moving to northern New York State in 2011. Sometimes the landscape was post-apocalyptic in nature. Sometimes it was a version of my hometown of Owego, NY. It was all too close to me. Too close to my own experiences. How did this storyline emerge from me and find its way into a podcast?

Recently, I have found myself having an abundance of reemerging thoughts and memories that I have not felt in decades. Tiny memories of tiny events–if any events in life can be thought of as tiny. In some weird Proustian way, I can smell a little bit of food and find myself back in 1954. I can hear music of a sort that takes me back to the sweet smell of a fifteen-year-old girl in high school. She’s in my arms, and I’m dancing with her in the gym after the big game. It’s 1964. A woman on Amsterdam Avenue is wearing retro bell-bottoms. It’s 1977.

Was I being set up for something? Why was a trickle of long-buried experiences flowing through the levee in my mind that separates the past from the present? Is this what happens to all people as they age? As they see less of the light and more of the twilight?

I reflected on my memories.

Wait! Do I want, really want to expose my inner fears and seemingly morbid thoughts and force them into the minds of my loving readers? They have their own problems. I can’t add to anyone else’s anxiety. That’s not what I do these posts for. I’m here to entertain and amuse, not deflate and depress.

I mulled over my thoughts.

The solution is likely in the extent of my pain. Pain can do odd things to one’s psyche. It can energize and it can terrify. It can lay you low, and it can cattle-prod you to attention. Make you laugh while you cry out. Run when you want to stop running, and get up when you’d rather sit. And sleep in quiet repose instead of writhing in a pool of nerve endings.

And it can remind you of your mortality. Slap you upside the head and say: You’re not twenty-one anymore. “You’re not thirty-three or forty-seven. You’re seventy-six, soon to be…well, do the math”.

Walt Whitman wrote something…

I paraphrase.

Grass. The beautiful uncut hair of graves.

One of my avocations is being a volunteer for Find-a-Grave.com. I get a request to photograph the headstone of someone. The request may come from a relative who lives somewhere on the map but west of New Jersey, who will never plan to make the trip to New York State to visit Aunt Polly’s grave. So, I do the deed. And, more often than not, I get a thank-you email. They are grateful. I am happy. Their family tree fills out, and I had a chance to walk through the uncut hair.

The uncut hair. As I searched for the requested headstone, I often thought of grass as a shroud. But not hair. I get the analogy now. The earth is so very old that perhaps there are only a few places where we do not tread on a forgotten grave.

I mused over these thoughts.

The patio is still bathed in that pale light. I’m tired, but I have a plan. I will listen to one more song by Nanci Griffith: Late Night Grande Hotel.

“I’m just learning to fly away again.”

I will take my headset off and play one game of solitaire on my iPad.

Then I will go on Reddit and read an article I saw earlier:

A Cool Guide To Escaping Killer Bees

Only then will I pull the covers to my chin. Sip ice water and fluff my squishy pillow. Close my eyes and look out at the pale light on the patio.

And as I fall into sleep, fall hopefully into a sweet sleep… I find myself thinking of my hometown. Owego.

It’s that old blue line that you can never go back home…

I don’t know why I always come here in my dreams…

I only come here to remember my dreams.

–Sarah Jarosz

[R-Before. See the offset? L-After. See the Titanium screws? Photo is mine.]